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The Dead Emcee Scrolls: The Lost Teachings of Hip-Hop, by Saul Williams
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In the underground labyrinths of New York City's subway system, beneath the third rail of a long forgotten line, Saul Williams discovered scrolls of aged yellowish-brown paper rolled tightly into a can of spray paint. His quest to decipher this mystical ancient text resulted in a primal understanding of the power hip-hop has to teach us about ourselves and the universe around us.
Now, for the first time, Saul Williams shares with the world the wonder revealed to him by the Dead Emcee Scrolls.
I have paraded as a poet for years now. In the proc ess of parading I may have actually become one, but that's another story, another book. This book is a book that I have been waiting to finish since 1995. This is the book that finished me. The story I am about to tell may sound fantastic. It may anger some of you who have followed my work. You may feel that you have come to know me over the years, and in some cases you have, but in others...well, this is a confession.
- Sales Rank: #179171 in Books
- Brand: Brand: MTV Books
- Published on: 2006-02-01
- Released on: 2006-02-01
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x .50" w x 5.00" l, .33 pounds
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. Williams is not the first to take hip-hop diction and rhyme to the page and make beautiful stanzaic poetry (see everyone from Gil Scott-Heron to Thomas Sayers Ellis), but he creates, in this third book, a kind of "In Memorium" for hip-hop's redemptive promise, trying, as Tennyson did, to find light shining through the wreckage of hope. If this effort falls short of that great poem, the ambition behind it is not the less for it. Skip the self-mythologizing intro and launch right into the long opening serial poem, "NGH WHT": "BCH NGH. Gun trigga. Dick's bigga. Why/ fuck? Killer. Blood spiller. Mack/ truck. Bad luck, fuckin with this black buck./ Bigger Thomas, I promise. Leave a corpse in/ the furnace." The sly way in which the speaker simultaneously inhabits and repudiates male rap clichés and effects sonic sneak attacks (one hears "kill her" in "killer") gets worked out over 33 "chapters" of anywhere from three to 10 stanzas, giving a fierce, assured tour of hip-hop history and contradiction. There are six other, shorter serial poems, and the book's last third consists of verse "Journal Entries." Williams, who starred in Slam, has authored two previous books, s/he and said the shotgun to the head; both are uneven and contain long, ambitious pieces, but neither has a poem like "NGH WHT."
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From Booklist
Williams is the guy. He has chosen a sublime path in the hip-hop world: yes, a "road less traveled." He is the prototype synthesizer between poetry and hip-hop, stage and page, rap and prose, funk and mythology, slam and verse. He is one of spoken-word poetry's most charismatic performance poets alongside Regie Gibson and Patricia Smith. Williams opens for rock bands and appears in films and records with the legendary producer Rick Rubin. Avoiding classification, The Dead Emcee Scrolls is unique in voice, daring in its trust to chance, and more concerned with wordplay than grandeur. It is strongly musical, uncorrupted, raw, and challenging. These writings span Williams' artistic life since 1994, including journaling that charts his experiences in a clear, truthful hand, in spite of some metaphysical wanderings. Williams chose to preserve the passion and immediacy of his inspiration, but some reworking would clarify his vision. As it stands, this collection is frustrating and engaging, although there is a definite payoff for those who stick with it. Mark Eleveld
Copyright © American Library Association. All rights reserved
Review
"Saul is every kind of great artist combined into one." -- Nas
"A profound poet who inspires us. He challenges us to be individuals." -- Russell Simmons
Most helpful customer reviews
22 of 22 people found the following review helpful.
You can feel the beat pulsating from the page...
By Lhea J. Love
I had the pleasure of seeing Saul Williams perform poetry from The Dead Emcee Scrolls a few days ago. A problem that many spoken word artists encounter is that their poetry sounds great on stage and does not stand confidently alone on the page. Saul doesn't have this problem. His style is so pronounced that it encompasses many forms... you can hear his voice when you read the page, you can see his words when he speaks. The book is truly a treasure... you can dig, and dig, and dig... discovering new truths each time you pick the book up. He was asked by someone in the audience, how long did it take to write this book. His response was, ten years.
Saul also spoke about how academians must study hip hop in order to truly understand modern poetry, because emcees are creating new forms of meter.
This book is a testament to that.
Enjoy.
0 of 0 people found the following review helpful.
Hip-Hop Mystic
By Vincent D. Pisano
Saul Williams, hip-hop's so-called "poet laureate," can comfortably add "hip-hop mystic" to his résumé with this collection of excellent poetry. His rhymes drip with the religious symbolism of ancient Mystery cults (most notably, Isis) as he journeys with the reader on a path to self-discovery, spiritual fulfillment, and ethical reasoning. In hip-hop Williams sees ancient drums and chants, camp-fire storytellers whose power has been hijacked by capitalist greed, materialism, defeatism, and chauvinism. He teaches through twistable and irresistible verse that the power of history's lessons and thought can change worlds by changing words.
I admit that I am not a hip-hop fan, per say. I do enjoy a select few artists (Williams included), and have studied African American history/culture, so I was not entirely unfamiliar with the themes/issues of this book. I am, however, a lover of poetry, truth, and vulnerable strength, which Saul Williams encapsulates perfectly. Truly, one need not know much about hip-hop to appreciate this book. No matter one's musical preference or cultural background, Williams speaks truth, and therefore can be embraced by all. "Word is bond."
2 of 2 people found the following review helpful.
something old, something new
By J. Dennis
The Dead Emcee Scrolls start out with a great new poem called NGH WHT. After that, a good deal of the material is from older poems that he has in some cases edited, while in others, left mainly the same. NGH WHT is filled with subtle nuances that are not always easy to pick up on, so multiple reads are likely merited.
While a bit repetitive for die-hard fans, the work gives a very strong representation of where his work comes from, but also has some great new material. As to where he will go from here, that is anyone's guess.
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